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One of the first comics in circulation was certainly the series "The Katzenjammer Kids" by Rudolph Dirks, published in "American humorist," Supplement to the U.S. daily "Morning Journal" Randolph Hearst in the late nineteenth century (in 1897) and a few years later appeared on the pages of the "Corriere dei Piccoli" where the two boys were called Hans and Fritz Bibi and Bibo. In 1917 the WR Hearst's International Film Service produces about twenty episodes in animation. The series is entitled Original Katzenjammer Kids as Hearts had won his case against the fugitive Rudolph Dirk fact that he continued to come up with a different title ("The Captain and the Kids") the adventures of two rogues and their supporting cast.
The animated series, without words but with the help of a soundtrack commentary for the shares was suspended in 1918 because of poor relations that the United States were starting to get to Germany. Present it again is a real treat for fans!
In 1938 it was the turn of the Metro-Goldwyn-Mayer animation that fits in the series of Captain and the Kids . Despite an exceptional team of animators (William Hanna, Bob Allen and Friz Freleng), the series has not happened and will stop at the fifteenth episode. Here is Captain Cocoricò to be the true protagonist. The series is not too faithful to the original comic strip so much so inspired by the Merry Melodies and Silly Symphonies Disney!

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The shopping list

What have brought home by NapoliComicon? For even more pressing on the shelves and reducing the cubic capacity of my attic floor have contributed: the catalog of the exhibition of cartoons "NO-vices", the catalog of 'XI comics NapoliComicon, the catalog "Rat-man. Vent' years without parole "and published by NapoliComicon PaniniComics, I write the book of Susanna" Clouds and rainbows-LGBT Comics "published by Tunuè," A Jew gangster, "a graphic novel by Joe Kubert, published by Planeta-De Agostini (I do not want to use the term abused "graphic novel" which is now so trendy), the essay "Carl Barks, the lord of Duckburg" Thomas Andrae, Proglio editions. And last but not least, the lavish and beautiful book "Luciano Bottaro - Un sorriso lungo una vita" della Anafi ( Associazione Nazionale Amici del fumetto e dell'illustrazione). C'è di che leggere in questi giorni!

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Neapolitan Yellow

E' stata particolarmente felice questa edizione di Napoli Comicon: sia per l'enorme affluso di visitatori ( i cancelli di entrata sono anche rimasti chiusi per non creare sovraffollamento) sia perché il giallo è il mio colore preferito! Ad ogni modo il salone partenopeo si conferma essere una delle più belle e interessanti manifestazioni dedicate al fumetto e all'animazione con un vasto e nutrito programma di incontri che non teme certo confronti con altri avvenimenti di questo genere. A mio avviso è giusto dare spazio a gare di cosplayer or events but do not forget that in a cultural event of this type that should be more emphasis is, logically, the comic! I always found it bizarre to see the stand of goodies, candles and fashion models next to conferences on major authors of comics. Inside the prestigious Castel S. Elmo can not clash with the sellers of cotton candy and pleasant despite the coming and going of boys ready to compete in a tournament by sword foam or clothing as the heroes of an anime, Salon International Comics gives precedence to all guests with a variety of comics-related meetings, conferences and exhibitions. And for me that I love this medium because of clouds NapoliComicon is the show for you.
And it is for a reason not to be underestimated: the perfect organization and the competence and kindness of the staff working there that year. My estimate is always Luca Boschi (the eclectic cultural director) and Claudio Curcio (Director General of the brave) and my thanks for the hospitality goes to all staff: Claudia, Angela, Federica (involved to gracious' hospitality) to Antonio (talented driver who has run around me and Bill Willingham to Naples), and Alina Alina (What beautiful exhibits!) Joseph Colella (always balance to the animated film industry) and also thanks to Simone Salis ( My companion weekend is young satirist) e. .. to everyone else! Among
tanti stand, tra tante valide novità, tra tante esposizioni mi preme ricordare "No-vizi" , un valido allestimento di vignette di satira ideato e curato da Mario Natangelo che, bravissimo vignettista anch'egli, era accompagnato da autori del calibro di Ellekappa, Giorgio Franzaroli, Marco Tonus, Vincino,Riccardo Marassi e altri. Un "bravi!" a tutti, considerando inoltre che in questo periodo essere se si è autori di satira è un po' come aver contratto la gonorrea.
E dall'alto di Castel S.Elmo tra un venticello Partenopeo e una panoramica del golfo erano allestite le mostre di originali di Leo Ortolani e il suo celeberrimo Rat-man ( se volete sapere cosa predilige a colazione Ortolani, scrivetemi!) , By Massimo Carnevale and Tanino Liberatore: with him in the morning, I shared the waiting bus that took us to Comicon and his gentle wife we \u200b\u200bquibble about the various differences of life between Italy and France, for end up talking about copyright with Ivo Milazzo. One Sunday morning to remember, anzichèno! Mica happen every day.
But keep in mind is undoubtedly the reason why I was invited to NapoliComicon. Since this year the color was yellow, mostly it was decided to carve out a space for the family of world famous yellow, or "The Simpsons" and host of the exception was Phil Ortiz, designer of the comics and animator of the TV series. But besides being of unquestionable professionalism and skill is undeniably cute! I was with him to share a meeting with the public, to quibble Simpson, cartoons, TV movies, Disney movies and anything else and we improvised a nice duet where I play Krusty the Clown and he answered me in Italian with English Dan Castellaneta same voice that would do when he has dubbed a cynical clown. And, icing on the cake, we exchanged the gifts of a pen! I was also invited to sign autographs with him but fate cynical and cheat but especially a train back to Rome prevented me from doing it!

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Liberation

April 25. Resistance! And we will try to hold on to it! (Maybe soon pass it. Maybe!)
A quick vignette so as not to forget how to draw. That satire is not my forte but as of this time the cartoonists have looked bad if they had gonorrhea, I like to swim against the tide.

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The Smurfs on TV

Waiting for 3D feature film of "The Smurfs", soon (?) To the cinema, it is worth remembering the other transpositions in video of the little blue men. And I do not speak of the infamous series of Hanna-Barbera Productions, but the original series in black and white Belgian sent in Italy, years ago.
's right, before the flamboyant and sometimes unfaithful series color broadcast by Mediaset, in 1968, the Smurfs were guests of the wonderful TV show "Heroes of cardboard, a program entirely devoted to details such as Asterix cartoons, Popeye and Superman Study Fleisher and others, animated series and movies that tried to to approach an audience of enthusiasts rather than to an audience of children. The design was by Nicoletta Artom (Rai to the same official who is responsible for the purchase of "Grendizer" in Italy) and to present the program was a young Lucio Dalla who sang the famous song that mentioned "the letter X".
The first series of the Smurfs was none other than the series that created the TVA Dupuis in 1959 as a result of the rapid success of the comic Peyo. At the beginning The animation technique used was quite crude as was to be "move" a whole range of Smurf figurines of paper in various poses and sizes: the facilitator, in fact, the figures moved with pliers and filmed the scene in detail. 9 episodes were made of about 13 minutes (including 2 in color) taken from comic album. It would be interesting if some publishing house propose this series on DVD.
Later in 1975, Dupuis and Belvision Paris co-produce a feature film, "The flute with six Smurfs", with that speed dubbing the voices of the Smurfs with a curious sound. This movie has arrived in Italy, through the private television era and was later redubbed with le voci dei doppiatori della serie tv Americana.

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POLSTAR

Girovagando come d'abitudine nelle tante librerie di fumetti di Parigi anni fa ebbi il fiuto di acquistare una serie interessante edita nel 1996 da una piccola, sconosciuta casa editrice: la John Eigrutel Production. La serie aveva il titolo di "Polstar" e gli autori erano Jean Lèturgie ai testi e suo figlio Simon ai disegni e non a caso Eigrutel non è altro che Lèturgie al contrario, poichè era una casa editrice a gestione familiare! Visto il successo della trilogia le affermate edizioni Vent d'Ouést nel 2001 decidono di ripubblicare l'intera serie e darle la giusta pubblicità che si conviene. A seguire, tempo dopo, uscirà un quarto volume autoconclusivo che però non si dimostra all'altezza dei precedenti in quanto a tematiche e soggetto.
La storia si svolge in un non tanto lontano futuro, nel 2060, a Megalopolis enorme capitale di un impero cinico e tecnologico. Tra i suoi grattaciali la città ha lasciato crescere solo un indispensabile polmone verde, un inestricabile groviglio di vegetazione dove i pavidi cittadini non si avventurerebbero mai. E' proprio su questa paura che i Tre Saggi che governano l'Impero mantengono il loro potere e la tranquillità amorfa che garantiscono a una popolazione rassegnata è pari solo all'orrore delle loro repressioni e al terrore che queste generano. La polizia dell'Impero, la "Censoritaria" è dappertutto pronta a reprimere rather than protect, but a wind of revolt seems to arise when a mysterious caped crusader. But it is from the citizens or is a man of power? The stretch of humorous
Léturgie Simon is in contrast to a script that puts to shame the violent dangers of the political power of an oligarchy and the retirement of a people subject to everything being said on television or at least the powers that be . Given the current times we live there is to meditate!
In 2003 he founded a new publishing house in Rome, the Stella Maris, asking me to suggest the French titles to debut in bookstores. I think the choice of three titles but then falls right on "Polstar" and I am deeply involved in negotiations to purchase the series and its translation. The book hardcover, same as the original French, this is satisfactory but not enough to pay him the success they deserve, overwhelmed by so many other reality publishing and distribution of a somewhat obscure.
note with a hint of pride in Spain's prestigious Planeta-De Agostini wanted to choose for its catalog of French books I like the trilogy and I hope that re-see the Italian libraries. If nothing else, may reflect a humorous, if not to stir the conscience!

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Mazzotta sing! (A sinc!)

Who would not like to play a musical? Being Dick Van Dycke between roof or chimney sweep to Mr. Higgins that educates the villagers Elisa ... What passion! It happened to me to play at the theater in a fun musical, "class photo" of genuine and unpretentious but attractive where, just back from the successes with Enrica Bonaccorti TV, on stage with me was that a very young Maria Laura Baccarini soon to have taken off as a great interpreter of Italian music. But there was Giorgio Borghetti bell'attore whose career was still to come, and other voice actors (Ilaria Stagni, Giovanna wheel, Massimiliano Manfredi, Pino Ammendola, Roberta Greganti and Mino Caprio, author & director).
sung, hummed and absolutely non-dancing! But this is it! ...
Però tramite il doppiaggio ho potuto cimentarmi nel canto e come se avessi paglietta e bastone eccomi a prestare la voce , nel 1993, a una pulce nel lungometraggio d'animazione " Tom & Jerry - il film" di Phil Roman. Frankie la pulce col suo amico randagio Carlone si esprimono sul concetto di amicizia nella canzone " Pane e burro noi siam". Le voci sono quelle di Francesco Vairano ( Tom, a cui si deve anche la direzione del doppiaggio e i dialoghi) , Ilaria Stagni (il topino Jerry) e Silvio Spaccesi, attore teatrale e non solo e doppiatore di Patsy in "SuperGulp" che qui dà la voce a Carlone.

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I remember ...

1972 was very far away or so and my favorite game of that period, in addition to wooden animals to create the zoo, was an actor in films and "carousel" (the title of "spot" had not yet in vogue!). One of the first movie where I was involved was "practically nude school teacher Paul Boat", a forgettable little film with Renato Pozzetto who played a teacher who came down from the mists of the Po Valley in sunny Sicily. In fact, the elementary school was rebuilt, if I remember correctly, Marina, not far from Rome. For every break from the set we children played and had fun like crazy, just to debunk the rhetoric of the poor under age forced to work arduous and adults. Mr. Well, as I recall, was never comfortable with our souls as well but preferred to withdraw into solitude in his trailer.